María and Alicia were born in two different eras and, despite this, their lives are running in parallel: their childhood and adolescence, their early youth and their arrival at maturity.
At a crucial moment in her life, María will decide what consequences she will have to take to change her family’s life in a humble neighborhood in the south for a life, without a past, in the big city. Several decades later, Alicia repeats the very same decision and chooses the same path, building a life in solitude, shared apartments and precarious jobs.
What is the weight of family in our lives, and what is the weight of money in our lives? What happens when a mother decides not to take care of a daughter, and what happens when a daughter decides not to take care of a mother? How long do we have to amend what we have failed?
The Wonders is a bildungsroman in which we see how money, family and social class mark the lives of two women from two different generations. An honest and lyrical portrayal of working-class women, inflicted by precariousness and patriarchy, who are plagued by the same doubt: would their lives have been different had they been born in another place, at another time, in another body?
Elena Medel’s highly anticipated debut novel is a novel in the classical sense of the term, entirely contemporary, that explores the portrayal of women, family and social class. Intertwined lives on the outskirts of a large city, Madrid, from the last years of the dictatorship to the present day.Request more information
SPANISH (World) | Anagrama
DUTCH | Meridiaan Uitgevers
CROATIAN | Hena Com
CZECH | Host
ENGLISH (UK & Comm. excl. Canada) | Pushkin Press
ENGLISH (North America) | Algonquin
FRENCH | La Croissé
GERMAN | Suhrkamp
GREEK | Patakis
ITALIAN | Einaudi
POLISH | Foksal
PORTUGUESE (Portugal) | Dom Quixote
PORTUGUESE (Brazil) | Editora Todavia
SWEDISH | Norstedts
Umbral Prize for the Best Book Of The Year 2020
Longlisted to the Finestres Award 2020
“If we were academics, we’d say that narration and style go hand in hand in a literary wonder that is absolutely personal yet reminds you of the audacity of Virgina Woolf, Carmen Laforet’s atmosphere and the sharpness of Rafael Chirbes. If we were journalists, we would say that one of Spain’s best poets has become one of its most important novelists.” Javier Rodríguez Marcos, Babelia, El País
“Few books honour their title as much as The Wonders does, Elena Medel’s (Córdoba, 1985) first novel. Without falling in any clichés, and with a lyrical prose, Medel narrates what the recent Spain’s history has entailed for women until yesterday. Because María and Alicia, the protagonists, could be any of us –however, we aren’t. A narrative marvel.” Inés Martín Rodrigo, ABC Cultural
“Las maravillas is the novel Luisa Carnés would have written had she lived in the 21stCentury, the Tea Rooms of today. Elena Medel’s (Córdoba, 1985) voice is solid and powerful, maintaining the pulse throughout the whole narrative and showing a rare maturity for a first novel. Las maravillas confirms that the author is not only an excellent poet, but also an excellent novelist.” Eva Cosculluela, ABC Cultural
“The author gifts us with characters that fly off from the page, and several superb scenes, masterfully written with a great sense of scenography and ritual: the girls doing her homework, Alicia’s bus journey with her partner or the death of the old woman that María’s taking care of. All this and the rhythm, the clarity and the talent of knowing how to make a novel break out from its own thesis.” Carlos Zanón, Babelia, El País
“Very rarely do natural talents, linguistic discipline, and emotional rawness coincide. That is the case of Elena Medel, one of the great young poets of our language, whose first novel unfolds a history of crude intimacies, subtle roughness and luminous sadness, who works from the class conscience with moral force, stylistic precision and narrative honesty.” Andrés Neuman
“Well written and addressing issues that are unprecedently current. Elena Medel has a new and distinctive voice as a novelist, and we can find in her prose many of her abilities when writing poetry. We’ll be talking about this novel for a while. And all for the right reasons.” Publishers Weekly